Event Date: 11/11/2019 - 04/27/2020   Event Time: 7:00 PM - 9:00 PM

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Special pricing for the purchase of multiple events. 1 concert, $35.00/person; 2 concerts, $32.50/person; 3 concerts, $30.00/person CONCERT #1: MATTHEW GRAYBIL IN SOLO PERFORMANCE Monday, Nov 11, 2019, at 7:30 PM CONCERT #2: ARTHUR GREENE IN SOLO PERFORMANCE Monday, Feb 10, 2020 CONCERT #3: IGOR LOVCHINSKY IN SOLO PERFORMANCE Tuesday, Apr 21, 2020, at 7:30 PM

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40 Church Street , Asheville, NC 28801
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Event Date: 01/20/2020 - 03/14/2020   Event Time: All Day

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1345 Hendersonville Road , Asheville, NC 28803
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Event Date: 01/26/2020   Event Time: 8:00 PM

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185 Clingman Avenue , Asheville, NC
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Event Date: 01/26/2020   Event Time: 8:30 PM

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The power of words isn’t lost on longstanding Americana triumvirate The Devil Makes Three— Pete Bernhard, Lucia Turino, and Cooper McBean. For as much as they remain rooted in troubadour traditions of wandering folk, Delta blues, whiskey-soaked ragtime, and reckless rock ‘n’ roll, the band nods to the revolutionary unrest of author James Baldwin, the no-holds barred disillusionment of Ernest Hemingway, and Southern Gothic malaise of Flannery O’Connor.

In that respect, their sixth full-length and first of original material since 2013, Chains Are Broken [New West], resembles a dusty leather bound book of short stories from some bygone era.

“I always want our songs to unfold like short stories,” affirms Bernhard. “You could think of them like the chapters of a book. Of course, they’re shorter and maybe more poetic. This was a much more personal album about what it takes to be an artist or writer of any kind—and what you have to do to make your dream possible. It was really the headspace I was in. It might have something to do with getting older. You start reflecting on life and the people around you. I was doing that in these songs. That’s what makes the record more personal. I’m pulling from these things. Some of it is about drug addiction. Some of it is about the things you sacrifice. Some of it is about the detrimental things we do for inspiration. Nevertheless, they all have some sort of narrative.”

The Devil Makes Three’s journey up to this point could be deemed worthy of a novel. Their self- titled 2002 debut yielded the now-classic “Old Number Seven,” “Graveyard,” “The Plank,” and more as they organically attracted a diehard following through constant touring. Longjohns, Boots and a Belt arrived in 2003 followed by 2009’s Do Wrong Write between a pair of live recordings, namely A Little Bit Faster and a Little Bit Worse and Stomp and Smash.

2014’s I’m a Stranger Here marked their first debut on the Billboard Top 200 as the 2016 “hero worship homage” Redemption & Ruin heralded the group’s second #1 bow on the Billboard Top Bluegrass Albums Chart and fourth consecutive top five debut on the respective chart. The latter garnered widespread acclaim from the likes of Entertainment WeeklyAmerican SongwriterThe Boston Globe, and more. Over the years, they casted an unbreakable spell on audiences everywhere from Lollapalooza and Bonnaroo to Hardly Strictly Bluegrass, Hangout Fest, and Shaky Knees.

As the band began writing ideas for Chains Are Broken, they veered off the proverbial path creatively. Instead of their typical revolving cast of collaborators, The Devil Makes Three stuck

to its signature power trio—with one addition. This time, they invited touring drummer Stefan Amidon to power the bulk of the percussion. The presence of a drummer remains most amplified as the band seamlessly translated the spirit of the live show into a studio recording and busted the rules even more. And for the first time, they retreated to Sonic Ranch Studios in El Paso, TX a stone’s throw from the Mexican border to record with producer Ted Hutt [Gaslight Anthem, Dropkick Murphys].

“We broke a lot of rules in making this record,” smiles Bernhard. “We’ve always done whatever we wanted to, but there were still some things we wouldn’t try. Those fears went out the window. Ted was a big part of that. He stayed with us throughout the whole process from pre-production until the final moment of recording. He pushed us outside of our comfort zone. We’ve never had this experience. So, we got really creative under pressure, which ended up being super fun.”

These songs harness a spirit of freedom. “Pray For Rain” gallops along on a propulsive beat punctuated by a bluesy twang, before a chorus that’s akin to a spiritual uprising singing “I’m praying for some rain tonight.”

“It’s a song about the state of the world now,” says the frontman. “It hopes for some sort of positive change, which I think is totally possible. At the same time, it considers the past and how we got here. You want to wash away what’s there.”

Elsewhere, “Deep In My Heart” hinges on a menacingly melodic admission, “Deep in my heart, I know I’m a terrible man.”

“We see it in the news all the time,” he continues. “People’s public personae fall apart, and everybody sees who they really are. We have an ability to choose to be good and evil at any  time.”

The simmering groove and hummable hook of “Bad Idea” recounts how “sometimes we know we’re doing something stupid, but we just can’t control ourselves.” Elsewhere, “I Can’t Stop” offers up an elegiac memoriam to a handful of friends who left too soon.

Nodding to a favorite author James Baldwin, “I Can’t Stop” represents an emotional climax for the album. The author’s quote—”Ultimately, the artist and the revolutionary function as they function, and pay whatever dues they must pay behind it because they are both possessed by a vision, and they do not so much follow this vision as find themselves driven by it. Otherwise, they could never endure, much less embrace, the lives they are compelled to lead”hangs heavy over it.

The tune itself centers on a heart-wrenching plea to on old buddy, “I don’t know why you would do what you were doing…”

“It’s mostly about a friend of mine who overdosed and died,” sighs Bernhard. “When we were teenagers, we’d get together, get high, and play guitar. I learned so much from him, because he was naturally talented, but he got so deep into doing all kinds of drugs and died. In some ways,

it’s what he ultimately wanted, but I miss him so much. He was the primary motivation. It’s also dedicated to our friend Dave from Brown Bird who died of cancer. He and his wife were among our closest touring companions. It’s strange how we all don’t make it or survive to meet up in  old age. People die. We keep going. There’s nothing else to do.”

Fitting snug like a ceremonial death mask, the cinematic expanse of “Paint My Face” underscores an oddly uplifting message—there may be something after all of this.

“‘Paint My Face’ talks reincarnation and unlived lives,” he states. “It partially discusses being a musician or an artist. It’s like a letter written to a child I don’t know saying death is not the end, as I believe, it’s the beginning of another life.”

In the end, the words and music on the album leave a long-lasting imprint.

“I’d love for people to feel inspired,” Bernard leaves off. “Some of the songs might be sad, down, or depressing, but they inspire me. I feel better through the process. I hope you do too.”

thedevilmakesthree.com

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101 Biltmore Ave , Asheville, NC 28801
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Event Date: 01/26/2020   Event Time: 9:00 PM

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701 Haywood Road , Asheville, NC 28806
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Event Date: 01/27/2020   Event Time: 8:30 PM

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Playing keyboard as the featured artist at One World Brewing for the Thursday Night Funk Jam hosted by Jamie Berlyn. 8 - 11 PM, and no cover!

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520 Haywood Road , Asheville, NC 28806
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Event Date: 01/28/2020   Event Time: 8:00 PM

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Twenty years after they began releasing records as the Indigo Girls, Amy Ray and Emily Saliers have politely declined the opportunity to slow down with age. With a legacy of releases and countless U.S. and international tours behind them, the Indigo Girls have forged their own way in the music business. Selling over 14 million records, they are still going strong.Amy & Emily are the only duo with top 40 titles on the Billboard 200 in the ’80s, ’90s, ’00s and ’10s.

Along with Simon & Garfunkel and The Everly Brothers, Amy Ray and Emily Saliers rank at the very top of all-time great duos. The sublime music-making-machine-skewering “Making Promises” is one of their finest rockers.”–The Boston Herald

After signing to Epic Records in 1988, the Indigo Girls released their critically acclaimed eponymous album to thunderous praise; it remained on the Billboard Hot 100 Chart for 35 weeks, earned double platinum status, received a Grammy nomination for “Best New Artist” and won “Best Contemporary Folk Recording.” They were overnight folk icons who continued to live up to the high standards they’d set for themselves: they’ve since released 14 albums (3 platinum and 3 gold), received six Grammy nominations and have won one.Indigo Girls have toured with innumerable star acts including Neil Young, Emmylou Harris, Joan Baez, R.E.M., Sarah MacLachlan, Natalie Merchant, Jewel and Mary Chapin Carpenter.

The duo has balanced their long, successful musical career by supporting numerous social causes–the Indigo Girls don’t just talk the talk; they walk the walk. Having established an intensely dedicated fan base, the duo continues to remain relevant and attract new fans. With their latest release, Beauty Queen Sister, released on IG Recordings distributed by Vanguard Records,Emily Saliers and Amy Ray have secured their spot as one of the most legendary musical acts of this generation.

Their 14th studio album finds the Indigo Girls operating as powerfully as at any time in theircareer, on a set of uncommonly strong songs performed with the kind of typically understated Nashville polish that affords their signature harmonies the full spotlight.”–The Independent (UK)

In 2015 Indigo Girls released their 14th studio album, One Lost Day, produced by Jordan Brooke Hamlin and mixed by Brian Joseph.

indigogirls.com

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101 Biltmore Ave , Asheville, NC 28801
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Event Date: 01/29/2020   Event Time: 8:00 PM

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On the heels of their 15th studio release "Love & Revelation," Over the Rhine returns to The Grey Eagle in Asheville NC on January 29.

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185 Clingman Avenue , Asheville, NC
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Event Date: 01/29/2020   Event Time: 8:00 PM

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101 Biltmore Ave , Asheville, NC 28801
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Event Date: 01/30/2020   Event Time: 9:00 PM

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101 Biltmore Ave , Asheville, NC 28801
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Event Date: 01/31/2020   Event Time: 7:00 PM

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87 Haywood Street , Asheville, NC 28801
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Event Date: 01/31/2020   Event Time: 7:00 PM

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87 Haywood Street , Asheville, NC 28801
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Event Date: 01/31/2020   Event Time: 8:00 PM

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101 Biltmore Ave , Asheville, NC 28801
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Event Date: 01/31/2020   Event Time: 8:00 PM

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312 Haywood Road , Asheville, NC
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Event Date: 01/31/2020   Event Time: 9:00 PM

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185 Clingman Avenue , Asheville, NC
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Event Date: 01/31/2020   Event Time: 9:00 PM

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TRIO show w/ Jamie Leigh and Chris Cooper. A welcome gathering place, District 42 brings together warm hospitality and spirited cocktails at the vibrant center of downtown Asheville. Located in the lobby of Asheville's newest hotel, Kimpton Hotel Arras. Let us entertain you!

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7 Patton Avenue , Asheville, NC 28806
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Event Date: 01/31/2020   Event Time: 10:00 PM

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31 Patton Avenue , Asheville, NC 28801
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Event Date: 02/01/2020   Event Time: 7:00 PM

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87 Haywood Street , Asheville, NC 28801
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Event Date: 02/01/2020   Event Time: 7:00 PM

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87 Haywood Street , Asheville, NC 28801
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Event Date: 02/01/2020   Event Time: 7:00 PM

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87 Haywood Street , Asheville, NC 28801
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Event Date: 02/01/2020   Event Time: 7:00 PM

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468 Riverside Drive , Asheville, NC 28801
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Event Date: 02/01/2020   Event Time: 7:00 PM

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87 Haywood Street , Asheville, NC 28801
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Event Date: 02/01/2020   Event Time: 7:00 PM

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1 Battle Square , Asheville, NC 28801
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Event Date: 02/01/2020   Event Time: 8:00 PM

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185 Clingman Avenue , Asheville, NC
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Event Date: 02/01/2020   Event Time: 9:00 PM

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101 Biltmore Ave , Asheville, NC 28801
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Event Date: 02/01/2020   Event Time: 9:00 PM

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3 sets of live original jazz in the District 42 lounge at Kimpton Hotel Arras... downtown Asheville.

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7 Patton Avenue , Asheville, NC 28806
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Event Date: 02/01/2020   Event Time: 10:00 PM

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31 Patton Avenue , Asheville, NC 28801
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Event Date: 02/03/2020   Event Time: 9:00 PM

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Raphael Saadiq is a Grammy Award winning musician, songwriter and go-to collaborator/producer for some of the biggest names in R&B. Solange Knowles, John Legend, Mary J. Blige, D’Angelo, Ne-Yo and Miguel are among the many artists who turn to Saadiq for his deep musicality, contemporary creative vision and encyclopedic knowledge of timeless pop music.

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101 Biltmore Ave , Asheville, NC 28801
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Event Date: 02/05/2020   Event Time: 8:00 PM

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185 Clingman Avenue , Asheville, NC
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Event Date: 02/05/2020   Event Time: 8:00 PM

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185 Clingman Avenue , Asheville, NC
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Event Date: 02/05/2020   Event Time: 9:00 PM

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101 Biltmore Ave , Asheville, NC 28801
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Event Date: 02/06/2020   Event Time: 7:00 PM

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$12 / $15 Think Elvis Presley, Jerry Lee Lewis, Chuck Berry and Elton John. Josh Christina is a rock n roll revivalist who writes his own music, refurbishes the classics, and plays a mean piano. Location: Lounge - 50 seats Limited Tables Available with a Dinner Reservation :: All Other Seating is First Come First Serve General Admission :: Please Call Venue for Dinner Reservations

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743 Haywood Road , Asheville, NC 28806
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Event Date: 02/06/2020   Event Time: 8:00 PM

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312 Haywood Road , Asheville, NC
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Event Date: 02/06/2020   Event Time: 9:00 PM

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31 Patton Avenue , Asheville, NC 28801
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Event Date: 02/07/2020   Event Time: 6:30 PM

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Mike Kenton (guitar), Phil Alley (guitar) & Andrew Platt (upright bass).

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35 Patton Avenue , Asheville, NC 28801
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Event Date: 02/07/2020   Event Time: 8:00 PM - 10:00 PM

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Described by Gramophone as “the most trailblazing and meteoric performer of all,” Russia’s Nikolai Lugansky is a pianist of extraordinary depth and versatility with “an ability to enchant the ear” (Financial Times). He is Artistic Director of the Tambov Rachmaninov Festival and a regular recitalist the world over. Program: Beethoven: Piano Sonata No. 30 in E major, Op. 109 Franck: Prélude, Choral et Fugue Beethoven: Piano Sonata No. 28 in A major, Op. 101 Beethoven: Piano Sonata No. 23 in F minor, Op. 57 “Appassionata”

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27 Church Street , Asheville, NC 28801
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Event Date: 02/07/2020   Event Time: 8:00 PM

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Bid Daddy Love comes to Ambrose West

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312 Haywood Road , Asheville, NC
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Event Date: 02/07/2020   Event Time: 8:30 PM

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Playing vibes with The Gypsy Swingers at Cork & Keg from 8:30 PM - 11 PM - bring your dancing shoes!

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86 Patton Avenue , Asheville, NC 28801
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Event Date: 02/07/2020   Event Time: 9:00 PM

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185 Clingman Avenue , Asheville, NC
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Event Date: 02/07/2020   Event Time: 9:00 PM

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As one of the most sought-after bands on the Jam/roots circuit in the early 2000’s, Perpetual Groove reached 800+ in hard ticket sales in markets as diverse as San Francisco, New York, Boston, Chicago, Atlanta, Denver, Ft. Lauderdale, Washington, D.C. Tampa, Charlotte, Raleigh-Durham, Austin, TX Savannah, GA, Charleston, SC, Athens, GA, Richmond, VA, Norfolk, VA and New Orleans; headlining festivals such as Bonnaroo, 10,000 Lakes, High Sierra, Wakarusa, Langerado, Jamcruise and Jam in the Dam. Perpetual Groove, after a rejuvenating hiatus, has returned, much to the delight of their still-supportive and loyal fans. As their fans have matured, the band’s sound has also grown, with the band’s songwriters incorporating elements of pop and even EDM into the traditional P. Groove sound. Perpetual Groove is once more a full-time, national touring act, with a new album, their seventh studio album, entitled simply, Perpetual Groove.

pgroove.net

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101 Biltmore Ave , Asheville, NC 28801
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Event Date: 02/07/2020   Event Time: 10:00 PM

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55 College Street , Asheville, NC 28801
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Event Date: 02/07/2020   Event Time: 10:00 PM

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31 Patton Avenue , Asheville, NC 28801
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Event Date: 02/08/2020   Event Time: 7:00 PM

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87 Haywood Street , Asheville, NC 28801
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Event Date: 02/08/2020   Event Time: 7:00 PM

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87 Haywood Street , Asheville, NC 28801
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Event Date: 02/08/2020   Event Time: 8:00 PM

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Calexico and Iron & Wine first made an artistic connection with In the Reins, the 2005 EP that brought Sam Beam, Joey Burns and John Convertino together. The acclaimed collaboration introduced both acts to wider audiences and broadened Beam’s artistic horizons, but it was the shared experience of touring together in the tradition of Bob Dylan’s “Rolling Thunder Revue” that cemented their bond. Their metaphorical roads diverged in the years that followed, but they kept in touch and cross-pollinated where they could. But although they often talked about rekindling their collaboration in the studio and on the stage, it wasn’t until last year that their schedules aligned.

Years to Burn can’t help but be different from In the Reins. Back then, Calexico entered the studio with a long list of previous collaborations (first in Giant Sand, then backing the likes of Victoria Williams and Richard Buckner) and the knowledge that they loved Sam’s voice and his songs, but wondering if his material was so complete and self-contained that it lacked a way in, so hushed and delicate that it might be overwhelmed. For his part, Beam had been intimidated by their virtuosic playing and their deep comfort in an encyclopedic array of styles. “In my mind, I was a guy who knew three chords and recorded in a closet,” Sam says. “They were playing big stages and were superb musicians.”

Those fears were dispelled quickly. Calexico was bowled over by Beam’s many talents: “The arranging, the writing, his sense of rhythm, the quality of his vocals—and then there’s the experimental side of Sam,” Joey says. “They were the perfect band at the perfect time for me,” Sam adds. “I loved all their different sounds. They’re musical anthropologists, not regurgitating but absorbing what they discover.” Nearly 15 years on, “coming back to the project has to do with acknowledging how much impact the first record had for me in my life.”

Beam, Burns and Convertino reconvened in Nashville for four days of recording in December 2018. Nobody was keen to retread old ground. The change of venue—from Calexico’s home base of Tucson, where In the Reins was tracked—was one part of the effort. Together with Niehaus, veteran Calexico trumpet player Jacob Valenzuela and frequent Beam cohorts Rob Burger (Tin Hat Trio) on piano and Sebastian Steinberg (Soul Coughing, Fiona Apple) on bass, they settled in at the Sound Emporium, a fabled studio founded in the sixties by Cowboy Jack Clement and the site of countless landmark sessions in country and rock over the ensuing decades. Convertino got chills when he found a framed photo of R.E.M. on the wall: Document was recorded there.

Another added ingredient was engineer Matt Ross-Spang, whose recent resume includes producing Margo Price’s Midwest Farmer’s Daughter, working with Memphis legends like Al Green in the Sam Phillips studio that’s now Ross-Spang’s home turf, and winning a Grammy for mixing Jason Isbell’s album Something More Than Free (another Sound Emporium project). Ross-Spang was assisted by Rachel Moore; he shares production credits with Beam, Burns and Convertino.

Beam wrote all the songs for In the Reins. He took the lead again here, bringing five songs to the session, but Burns added one of his own in the end too. They took differing approaches; Sam shared meticulous demos ahead of time and was ready with arrangement ideas and instrumental parts, while Joey spontaneous as ever, came in with concepts and an eagerness to improvise. Upon arriving in Nashville, he also penned a tune.

“Life is hard. Awesome. And scary as shit. But it can lift you up if you let it,” Sam offers. “These are the things Joey and I write about now. And the title can encapsulate a lot of things. ‘Years to Burn’ could mean you’re cocky, you’ve got it made. Or, our life is ours to burn, to be inspired. Or you’re burned by life, brutalized. It’s an ambiguous title, because life is complicated. Let’s not talk like teenagers about love, desire, pain, ‘cause we’re not teenagers. And that’s not a bad thing.”

“This project had to find the right time,” Joey concludes. “We’re all different people than we were in 2004, and music helps to bridge some of the gaps. For all the things going on in our world and in each of our lives, this connection, this friendship, this love that we have—this album is a vehicle for that bond. It’s a chance to see where we’re at, take stock and be there for our friends.”

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101 Biltmore Ave , Asheville, NC 28801
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Event Date: 02/08/2020   Event Time: 8:00 PM

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468 Riverside Drive , Asheville, NC 28801
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Event Date: 02/08/2020   Event Time: 8:30 PM

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$15 Advance / $15 Day of Show 5PM Door :: 8:30PM Show Unspoken Tradition draws from the deep wells of traditional bluegrass but manages to capture the high energy spirit of newgrass, mostly in the styling of their original tunes. West King String Band is original bluegrass consisting of lighting fast hot picking and congenial songwriting that draws from old school country, rock’n’roll and folk music General Admission Seated Main Stage Show :: Limited Tables Available with Dinner Reservation otherwise seating is first come first serve. Call 828-575-2737 for dinner reservations Join us for a great evening of entertainment, food, and spirits.

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743 Haywood Road , Asheville, NC 28806
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Event Date: 02/08/2020   Event Time: 9:00 PM

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31 Patton Avenue , Asheville, NC 28801
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Event Date: 02/08/2020   Event Time: 9:00 PM

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185 Clingman Avenue , Asheville, NC
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Event Date: 02/09/2020   Event Time: 9:15 AM

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Playing vibraphone for the 9:15 AM and 11:15 AM services at the Unitarian Church in Asheville.

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, Asheville, NC
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Event Date: 02/09/2020   Event Time: 8:00 PM

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185 Clingman Avenue , Asheville, NC
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Event Date: 02/09/2020 - 02/10/2020   Event Time: 9:00 PM - 12:30 AM

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WHERE: The One Stop, 55 College Street, Asheville, NC 28801 WHEN: Friday March 20, 2020 COVER: $10 adv. / $13 d.o.s. DOORS: 8pm | SHOW: 9pm GENRE: "punk jazz" / jam AGES: 21+ Mike Dillon Band: WEBSITE: http://mikedillonvibes.com HEAR SOME MUSIC: https://mikedillonband.bandcamp.com SEE A VIDEO: https://youtu.be/GRwJ7n5IFLA 2015 Drummies Artist Awards - Winner Rock/Pop/Hip-Hop Percussionist 2015 Drummies Artist Awards - Runner up Percussionist of The Year 2014 Downbeat Critics Choice -- Vibraphone 2014 Downbeat Readers Poll Winner - Vibraphone 2012, 2013 and 2014 Downbeat Rising Star How many artists can claim being praised a "punk rock provocateur," "jazz vibraphone visionary" and "percussion virtuoso" in the same sentence? There's only one: Mike Dillon. Whether through his affiliation with artists like Les Claypool, Brave Combo and Ani DiFranco, collaborations such as Garage A Trois, The Dead Kenny Gs and Critters Buggin or bands he's fronted, including Billy Goat and Hairy Apes BMX, the Texas-native has set his own standard for 25 years now. Pulling from an arsenal of musicians Dillon has played with and known over the years, he will be touring with some of the "baddest" musicians on the planet including Claude Coleman Jr. (Ween), Norwood Fisher (Fishbone), Doug Belote (Ernie K. Doe), Andre Chomondeley (Project Object), James SIngleton (James Booker) , Patrick McDevitt (Band Of Outsiders), Johnny Vidacovich (Professor Longhair), JJ Jungle (The Coup), David Butler (American Babies), Brad Houser (Critters Buggin), Robb Kidd (Papa Mali), and many more. Dillon's most recent recording Band of Outsiders was crafted at Studio Center in Miami with the help of co-producers Gary Vandy and Richard Maloney Jr. Vandy is an old school engineer whose work includes over 200 platinum records predominantly in the disco and dance genres. His love of Zappa is what attracted him to Dillons work. In the age of pro-tools chicanery, the production is straightforward, capturing Dillon and his band playing live in a room. Two tours of Mexico and a steady dose of Brazilian music was the jumping off point for these new songs, explains Dillon. Add our love for The Melvins, Deerhoof, Bad Brains, Dead Kennedys, Trouble Funk and all things New Orleans and this album surpasses our intention to make the freakiest, most vibrant dance music on the planet. Lyrically speaking, Mike Dillon draws from his love of Miguel de Cervantes, William Burroughs, Kurt Vonnegut and Robert Anton Wilson to tell stories of New Orleans debauchery mixed with age-old themes of travel, love, self-destruction and greed. Delivered with Dillons trademark vocal rasp, the record has the intensity of a Tom Waits-meets-Frank Zappa black comedy. Rumor has it that Dillon lived in the same apartment that Waits shared with Rickie Lee Jones for the past seven years. However, Dillon discounts those rumors: "This apartment has housed dudes from Morning 40 Federation, Ani DiFranco, an old Conga player and a bunch of heroin addicts. Taken in its entirety, Mike Dillon's Band of Outsiders is a snapshot of four musicians hitting full stride. Having relentlessly toured the country in 2013both headlining and opening for artists like Fishbone, Clutch, Primus and Galacticits 13 songs bristle with a group mind, spill over the sides with the visions invoked during countless dead-of-night drives crisscrossing the country in a van and hit their target with a sonic assault only possible from a band thats played 400-plus shows over the last two years. People are always trying to figure out how to describe our music. Maybe we should call it New Orleans punk jazz Brazilian math rock? Its a gumbo of tribal percussion, The Meters, old school hardcore, Brazil, hard bop and anything else that might move us, concludes Dillon. But you know, I really dont care what you call it. We kick out the jams harder than anyone, and we also know when to heed the lessons of The Minutemen's Double Nickels On The Dime and keep things straight to the point. Theres a reason we called the record what we did. Were the living, breathing definition of a band of outsiders, but together we deliver simple majestic beauty, lets leave it at that.

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55 College Street , Asheville, NC 28801
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Event Date: 02/10/2020   Event Time: 7:30 PM - 9:30 PM

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Concert #2 The Chopin Project enthusiastically presents internationally acclaimed pianist Renana Gutman in solo piano performance "CHASING CHOPIN" World-renowned pianist, Renana Gutman will be "chasing" Chopin as she presents works by Chopin and the composers he influenced including Gabriel Faure, Claude Debussy, Alexander Scriabin, and others with elegant commentary that weaves their music and their stories. ABOUT RENANA GUTMAN Praised by The New York Times for her "passionate and insightful" playing, Israel native Renena Gutman has performed across four continents as an orchestral soloist, recitalist, and collaborative artist, at such notable venues as The Louvre, Carnegie Recital Hall, the Grenoble Museum, and St. Petersburg's Philharmonia in Russia, to name a few. She was a founding member of the award-winning piano trio "Terzetto" with violinist Diana Cohen and cellist Tanya Ell. The trio performed regularly in festivals and concerts across North America from 2007-2011. Ms. Gutman's recording of Chopin's Etudes, Opus 25 is featured on Chopin Project's Rarities & Favorites, Volume 4. As a pedagogue, Renana joined the piano faculty of Boston's Longy School of Music of Bard College in 2019. She had previously been on the piano faculty of the Yehudi Menuhin Music School in the UK, and of Bard Pre-College and the 92nd Street Y in New York City. Ms. Gutman also plays an active role in the NY Chapter of Music for Food, a musician-led initiative for hunger relief.

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40 Church Street , Asheville, NC 28801
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Event Date: 02/10/2020   Event Time: 8:30 PM

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Ray Ring and I co-host a weekly Jazz Jam at One World Brewing West, every Monday night from 8:30 - 12 PM. The first set is the house band (sometimes with a featured artist) followed by a Jazz jam. Come on out and make some Jazz music with us!

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520 Haywood Road , Asheville, NC 28806
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Event Date: 02/11/2020   Event Time: 8:00 PM

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185 Clingman Avenue , Asheville, NC
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Event Date: 02/12/2020   Event Time: 9:00 PM

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701 Haywood Road , Asheville, NC 28806
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Event Date: 02/13/2020   Event Time: 7:00 PM - 9:00 PM

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Thursday, February 13, 7pm Bana Haffar and Third Coast Percussion Grammy-winning Chicago-based percussion ensemble Third Coast Percussion and composer Bana Haffar debut the newly commissioned Shed for percussion and modular synthesizer. Drawing from the rich legacy of Anni Albers, Haffar engages with the materiality of sound, the essence of cloth, and the symbiosis of the machine and handmade by transposing standard weaving draft notation into musical scores. The concert will also include works by Guggenheim Fellow Augusta Read Thomas, Robert Dillon, and Mark Applebaum. $10 for BMCM+AC members + students w/ID / $15 non-members

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120 College Street , Asheville, NC 28801
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Event Date: 02/13/2020   Event Time: 7:00 PM

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Ryan Ward is a talented, eclectic guitarist with an endless passion for music. He incorporates his guitar heroes and influences into his own compositions. You can expect a mixture of classic rock/indie/alternative/folk with some originals thrown in. If you like The Beatles, Led Zeppelin, Fleetwood Mac, and other music greats, then this is a show not to miss! Support live music!

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101 Fairview Road , Asheville, NC 28803
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Event Date: 02/13/2020   Event Time: 8:00 PM

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185 Clingman Avenue , Asheville, NC
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Event Date: 02/14/2020   Event Time: 5:30 PM

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87 Haywood Street , Asheville, NC 28801
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Event Date: 02/14/2020   Event Time: 6:30 PM

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87 Haywood Street , Asheville, NC 28801
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Event Date: 02/14/2020   Event Time: 9:00 PM

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101 Biltmore Ave , Asheville, NC 28801
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Event Date: 02/14/2020   Event Time: 10:00 PM

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Guitar virtuoso and master of shred, TONY MACALPINE, visits Asheville NC to make his Grey Eagle debut with special guest Schiermann on 2/14!

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185 Clingman Avenue , Asheville, NC
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Event Date: 02/14/2020   Event Time: 11:00 PM

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31 Patton Avenue , Asheville, NC 28801
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Event Date: 02/15/2020   Event Time: 5:30 PM

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87 Haywood Street , Asheville, NC 28801
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Event Date: 02/15/2020   Event Time: 6:30 PM

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87 Haywood Street , Asheville, NC 28801
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Event Date: 02/15/2020   Event Time: 7:00 PM

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Mike Kenton (guitar), Jim Tanner (guitar) & Connor Law (upright bass).

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85 W Walnut St , Asheville, NC 28801
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Event Date: 02/15/2020   Event Time: 7:00 PM

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The Western Carolina Writers play their singer-songwriter show at Catawba Brewing Co. South Slope in Asheville, NC on Saturday, February 15th, 7-10pm. This show features Andrew Scotchie along with regulars, Jesse Frizsell and Stephen Evans.

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63 Brook Street , Asheville, NC 28803
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Event Date: 02/15/2020   Event Time: 8:00 PM

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185 Clingman Avenue , Asheville, NC
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Event Date: 02/15/2020   Event Time: 8:00 PM

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312 Haywood Road , Asheville, NC
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Y&T

Event Date: 02/15/2020   Event Time: 8:00 PM

Description:
Legendary heavy metal pioneers, Y&T, return to The Grey Eagle in Asheville NC on Saturday February 15!

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185 Clingman Avenue , Asheville, NC
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Event Date: 02/15/2020   Event Time: 9:00 PM

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468 Riverside Drive , Asheville, NC 28801
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Event Date: 02/15/2020   Event Time: 9:00 PM

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Who’s Bad’s power-packed tribute to Michael Jackson has ignited crowds on every continent and can only be described as a jaw-dropping, musical must-see. As the longest-running Michael Jackson tribute band, and the only one to predate his untimely passing, Who’s Bad has sold out nearly 50 venues in the United Kingdom including London’s O2 where the King of Pop was slated to end his career. Over 100years of collective professional experience and sold-out shows at every major House of Blues, Colorado’s Bluebird Theatre, LA’s Gibson Amphitheatre as well as international pavilions such as Ningbo Grand Theatre (China), Romania’s Sala Palatalui to Teatro do Bourbon Country (Porto Alegre, Brazil)tell the story: no corner of the earth is safe from this infectious party production.

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101 Biltmore Ave , Asheville, NC 28801
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Event Date: 02/15/2020   Event Time: 9:00 PM

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701 Haywood Road , Asheville, NC 28806
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Event Date: 02/15/2020   Event Time: 9:00 PM

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TRIO show. A welcome gathering place, District 42 brings together warm hospitality and spirited cocktails at the vibrant center of downtown Asheville. Located in the lobby of Asheville's newest hotel, Kimpton Hotel Arras. Let us entertain you!

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7 Patton Avenue , Asheville, NC 28806
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